An Escape Plan Live Poster Two

I love working with An Escape Plan, I used to play drums for them, so I feel they're in my blood ( I hope my blood is still on their drums), and if I need inspiration it drips from their beautiful recordings.

This poster was built from a few bits I've been playing with recently. The main character is a montage of different body parts found on Google, the shoes and head are then hand-drawn in solid black to negate the need for too much detail. Then there's a grunge texture laid over the top of it to bring it all together.

The smoke is done using some really effective spray can brushes in Photoshop, and over the top of that I've laid some white particles from a stock file I have to just scruff the whole thing up a bit.

One complete idea, no amends, one sign off. My kind of job. I am a big subscriber to ditching your first idea, my first idea was to do something around this Wind Costume photo, but it wasn't working out. Nice though eh?

The poster is a companion piece to this previous gig poster.

Mongrels DVD/Bluray Artwork

I sometimes think I'm quite clever, but then I remember my younger brother, golden handcuffed to the BBC, who pay him to come up with amazingly funny ideas, and then write them, and that's what he did with Mongrels. 

Hopefully you've seen it on BBC3, Tuesday nights. It's got massive critical acclaim and really good viewing figures, so when he asked me if I'd mind designing the cover of the DVD it wasn't really a very hard decision. 

I'm really proud of this because it's the first time we've worked together professionally and it's something we plan to do a lot more of in the future, plus it's a high profile release and it might be the biggest thing I've worked on.

You can buy the Mongrels DVD by clicking this link. 

Citizen Wiki page

I've just set up a Wikipedia page for Citizen Studios and complied a list of all my major label work, I'm pretty proud of it as it stands. Need to get something lined up for the rest of 2010 now.

Artist	Release	Label	Date
Medium 21	Acting Like a Mirror	Universal Records	2003
Medium 21	Daybreak Vs Pride	Universal Records	2003
Medium 21	Black and White Summer	Universal Records	2003
Medium 21	Killings From the Dial	Universal Records	2003
Maps	Start Something	Mute	2005
Maps	Lost My Soul	Mute	2005
Maps	Don't Fear the Sun	Mute	2005
Maps	International EP	Mute	2006
Kooky Records	Kooky is 10	Kooky Records	2006
Maps	It Will Find You	Mute	2007
Maps	We Can Create	Mute	2007
Maps	You Don't Know Her Name	Mute	2007
Maps	To The Sky	Mute	2007
Durutti Column	Sunlight To Blue... Blue To Blackness	Kooky Records	2008
Slipstream	Mantra	North Star Records	2008
White Belt Yellow Tag	Tell Your Friends (It All Worked Out)	Distiller Records	2009
White Belt Yellow Tag	Remains	Distiller Records	2009
White Belt Yellow Tag	Tell Your Friends (It All Worked Out)	Distiller Records	2009
White Belt Yellow Tag	Methods	Distiller Records	2010
White Belt Yellow Tag	Always and Echoes	Distiller Records	2010
The Moons	Torn Between Two	Acid Jazz	2010
The Moons	Nightmare Day	Acid Jazz	2010
The Moons	Life on Earth	Acid Jazz	2010
The Moons	Let It Go	Acid Jazz	2010

An Escape Plan live poster

So my first job of the new year and it's for An Escape Plan, a band I used to play in, and fronted by my good friend Craig Brown. A man who, since he played at my wedding, I'm forever in debt to.

There really wasn't a brief for this job, I'm very familiar with AEP's work, and we share an artistic vision for the band so we both know exactly how we want it all to look, scarecrows has always been a theme of the band, it's a long story...

The gig is at Northampton Labour Club, on 23rd Jan with support from Joel Harries. If you want to hear the band click here.

It's been a while since I've done any gig or club posters, especially in Northampton, it feels good to be back and it's nice to see the new Citizen logos get an outing.

The more I look at this, the more I think it might be the best gig poster I've ever done. This is my previous favourite.

Working on stuff and filling my resources

I haven't posted anything for a while, everything seems held up by record companies, but I'm pleased to report that in the new year I'll be posting single and album artwork for White Belt Yellow Tag, and single and albums artwork for The Moons. Everything is done and signed off, but we're just waiting for release dates.

In the meantime all this work has forced me to overhaul my resource archive, recently I found this great site and pretty much downloaded everything on it: mediamilitia.com.

So first I'm going to get married, then January there's going to be a whole raft of work coming out of the studio. It's some of my best work, I'm looking forward to sharing it.

Slipstreamlined

It's been a while since I've gotten into any Citizen work but I recently had a request from one of my favourite local bands Slipstream to create the artwork for their new album Mantra, of course I accepted.

The album's a great rock and roll record, it's got the kind of psychedelic influences you'd expect from the ex-Spiritualized guitarist, and we wanted to create something to reflect this in a modern way.

I'm not going to explain the work too much, if you have to explain why it works, then it’s not working.

Click the image below to see the whole illustration.



See more of my album artwork here

To The Sun

I forgot to post this last month. It's the Maps artwork in the Sun, and it's on my favorite page, Victoria Newton's Bizarre.

There are no mountains left for me to conquer. Good night.

Building the Middle of Nowhere Poster.

I thought it might be interesting to dissect a piece of work and talk through all the layers that go into something. Plus I'm a bit 'Mondayed' today and this is quite a relaxing thing to do.

So the brief was for a festival to take place in next year in Northampton called 'Middle of Nowhere'. I knocked together a load of obvious festival-looking ideas before I got anywhere close to something interesting. I wanted to avoid the whole Summer of 69 vibe, illustrations of flowers and trees, summer and sun, love and peace and harmony because let's be honest festivals aren't about that anymore.



(You might need to right click the picture on the right and have it open in another window to follow the steps).

ONE. So this is the starting point. I wanted an empty sky that had some drama and a little bit of detail. I found this on Flickr on a search for sky and fog. It took a while, but it was perfect.

TWO. The next step was to colour the frame to make it look more dramatic and flattern the tomes a little. I added a couple of layers of distorted pigment that I found on iStock Photo and used the Hard Light filter to make these sit on top of the photo and let the detail and scruffiness bleed through.

THREE. I wanted to age the poster, in a non-trite way. I really liked the US posters for Death Proof, they were artificially aged really well, so I borrowed that kind of look. I wanted them to look like they'd been folded in someone's loft for 30 years and the gloss has all stuck together and ripped off when it was pulled apart.

FOUR. For the title of the festival I wanted to build something illustrative into the photograph and not simply overlay the type on top of it. I played about with several ideas including a reel of film and a cinema canopy, but eventually I decided on instruments and cameras. I've used Gretsch drums and guitar and an old cine camera to hold the text.

FIVE. The final step was some flatterened colour correction and to overlay the type, I used a new font I’ve found called Coolvetiva, crap name, but lovely font.

I brought contrast up in Photoshop to bolster the hues and make it look more juicy. Finally I placed the logos, I love putting little logos on posters, I always think they give work some authority.

The festival is currently in negotiations, so it's all underwraps at the moment. When the final work is signed off it will be on my Flickr Site.

How lame is that?

I hate it when designers hide their partners in their work like they're making some huge romantic gesture and preserving their image in time forever. Well, I used to hate it, then I did it.

iTunes pay a lot of money to feature in the Argos Catalogue, and the print run is well over a million copies, so potentially getting your face in there goes a long way to making you the most famous person in the world (sort of). So you can see this was a romantic opportunity to preserve Karen's image forever (it turns out I am lame). Still it's funny, and when we cracked it open at Argos, Luton and started showing complete strangers there's no way they thought we were poorly in our brains.

There she is on the iPod under the heading 'Photos', next to Johnny Depp. Click the photo to see an enlarged version.

Mercury Music Prize Nominated...

So there is it, Maps are Shortlisted as one of the 12 artists nominated for the Mercury Music Award. This is great news for James and for everyone else involved with maps, including me.

This kind of attention for the album is going to push it deeper into the public consciousness, and that means more people are going to hold my artwork. I'm swelling up with pride, he really deserves it maybe I do too.

Here are the Nominess and the odds;

Arctic Monkeys - Favourite Worst Nightmare - 4:1
Amy Winehouse - Back to Black - 4:1
The View - Hats Off to the Buskers - 8:1
Dizzee Rascal - Maths + English - 8:1
Klaxons - Myths of the Near Future - 8:1
Jamie T - Panic Prevention - 8:1
Bat for Lashes - Fur and Gold - 10:1
The Young Knives - Voices of Animals and Men - 10:1
Fionn Regan - The End of History - 10:1
Maps - We Can Create - 12:1
New Young Pony Club - Fantastic Playroom - 12:1
Basquiat Strings - Basquiat Strings with Seb Rochford - 12:1

Sparks in the Snow

This is the next MAPS single on Mute, 'You Don't Know Her Name and, actually not Sparks in the Snow (another Maps song), I just called it that because my spark for the artwork came on a beautiful snowy day back in January. Snowed-in and inspired by my muse/sweetheart Karen Anthony Cuthbert Wilson-Brown I finally found a way to create what I was looking for.

I needed to build something from the strand of the ALBUM RENDERS, but it needed to have it’s own defining look to differentiate from all the other releases.

I’m really happy with it, I was adamant that the covers should be black and white but Paul A. Taylor at Mute help to convince me I was wrong, I have a lot of love invested in this project and Mute love it, but more importantly Maps love it.

You Don’t Know Her Name will be released on June 07 and you can see a full sized version of the artwork HERE

Killing Flies

Last week Kooky Records asked to create some T-Shirts for them to celebrate their 10th birthday. They came to me with this email;

'Hi Ben

We had an of idea for t-shirts if you were still up for it: Our first ever review called the label "the sound of killing flies with a black and decker sander - NME" so perhaps a big sander squishing flies with the quote around it might be cool. Perhaps with the Kooky logo on the sander??

Cheers Alex'

It's nice when you work with people that have such great ideas, as soon as I read that I saw the design in my head. Click HERE to see an enlargement of the shirt.


STOP PRESS 24/05/07: I've just negotiated my Kooky Records contract with Phil at Kooky. As I currently do all their work for free, when Kooky make their first million pounds they're buying me a Roller.

Running on Empty

Sometimes when new scripts get developed for the BBC they want to present a logo to support them that help to sell the premise behind the show, and assist in the targeting of the proposal. I'm lucky enough to have contacts there that allow me to get involved in these projects, and this the logo for a proposed BBC 1 show called 'Empties'.

We Have Created

When you've looked at a piece of work on the screen for as long as we did for the Maps album WE CAN CREATE you get to a point where you never want to see it again. Then it goes off to print and you forget about it for a couple of weeks, until one day (when Mute remembers to send you a copy) there it is, sitting in your postbox.

There's nothing quite so terrifying as the first look at the finished piece. You're oddly desperate to find something wrong with it, and if you don’t, you find yourself falling in love with it all over again. Luckily for us, we're in love today. Sadly, this feeling only lasts about an hour. There are easier ways to experience such highs. Drinking meths, for example.

A New Region

The Region series go out on tour with Maps to give away as free CDs. The idea behind the series it to take a simple image of the planets and moons as you move away from Earth, so I started with the Moon and the most recent one was based around Jupiter. You can see the full artwork here HERE also to get an idea of the series see REGION ONE and REGION TWO

The Crusade Begins...

Maps are launching their debut album at The Church of the Holy Sepulchre in Northampton and I've been asked to design the invite. I wanted to do something that looked like the church had designed and printed themselves (no offence), and that carried the theme of the Crusades that the church is famous for.

It should be a good night, it's pretty limited to about 200 people and it is invite only. If you manage to get your hands on a copy of the invite have a look at the journey of maps on the inside, or you can see the full artwork HERE

Maps artwork finished

It seems a long time ago I explained to Mute Records how I wanted to create the Maps album artwork purely and mathamatically from the music. Actually, it was a long time ago that’s why, and this week finally sees the record’s release.

The idea was we wanted to make the artwork for the album create itself, so if one day we fired it into space and it landed on the moon then someone could pick it up, decipher it and remake the album. Simple really. The first thing we needed to do was to find away to take data from the music and turn that into something that looked organic, interesting and beautiful.

After about 2 weeks we found a programme called Walrus that allowed us to do exactly that. So, we stripped data from the album fed it into Walrus and converted it into huge decision tree diagrams.

Once we had created the Walrus model we then rebuilt it in 3DStudio Max on a hired Supercomputer, then we rendered and lit the huge structure that was around 5 million faces. This part of the project took about 3 months as each tiny tweak of the camera meant the computer re-rendering everything.

When we have great looking shots of each song's structure we took those renders into Photoshop for some final work on the lighting and atmosphere.

8 months later it was done and Maps release 'We Can Create' on Mute Records, May 14th. The limited Gatefold is out a couple of weeks after, and you should try and get your hands on one, as long as you promise to wear gloves.

See all of the artwork HERE