Back to the drawing board

As mentioned previously I'm trying to work more and more from paper beginnings. Especially with logo design I'm starting to explore the relationship between the letters and words more with a pen; rather that darting around in Illustrator.

I think my lack of formal training has meant that I've never really done this, and the need to get jobs done quickly has always been a barrier. Since the start of the year I've done 5 different company logos and all of the best results have been from paper to screen. (Not that these are the ones that got chosen).

I wonder how many designers really work like this anymore? As stated previously, it's my aim to bin the laptop and send all my work in the post by the time my laptop (which feels like it's on the way out) dies.

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Life on Earth Alternate Cover

It's coming up to a year since I finished the artwork for The Moons 'Life on Earth', and I thought now was a good time to reveal the first idea I pitched to Andy. It still resonates with me, and personally, I think is a more iconic design than what we eventually went with, (which I do still love by the way), but just feel like this shades it. It's more striking, and for me, looks more genuinely 60's than the final execution.

I remember finishing it and having that excited feeling the my stomach, then emailing it off and it getting rejected. That feeling when you really love something, and your client doesn't, and nothing you say will change their mind is really crushing. I think sometimes it's a problem of working on email, face-to-face you can really demonstrate your passion for a piece, and it can be infectious.

It takes me about a week to pick myself up after a debunk, and generally I can't sleep very well during that time, it's very dramatic I know! Anyway, we kept some of these elements for the artwork throughout the booklet, so it wasn't entirely wasted, and, together with Andy we forged a great campaign that I was really happy with.

You can buy the 'Life on Earth' with it's actual cover here, it's a great piece of work.

Get in touch ben@citizenstudios.co.uk

Visit www.citizenstudios.co.uk

Or call 07764 898 010

RAW Productions logo

"Simple, modern, and conveys something about what we do."

The 'A and W' represent film strip, in pervious versions they has beading along the edges to look more like film, but after some discussion we decided to drop that and go with a subtler approach.

This is the second logo born from the pad, as part of my New Years Resolution, all conceptual logos are starting life as pencil drawings. For my sins this isn't something I've always done, it's always been too easy to jump straight onto Illustrator and take it from there. It's working out nicely, one day I hope I can get rid of the Mac all together and send my client their designs in the post.

Get in touch ben@citizenstudios.co.uk

Visit www.citizenstudios.co.uk

Or call 07764 898 010

Glasgow Wedding Collective

This was a nice little job that I got through our Wedding Tea Towel contacts, the brief was really well constructed and GWC sent me so many ideas and references that I really got a good flavour of what they were looking for.

The basis of the logo was a font called 'Handmade' and from this starting point we worked to embellish it, creating a decorative 'Rococo' feel that works well in the industry while at the same time eluding to the companies 'collective' nature.

Get in touch ben@citizenstudios.co.uk

Visit www.citizenstudios.co.uk

Or call 07764 898 010

Week One.

I'm not planning to update every week on how I'm doing, but week one of Citizen was interesting, and at the end of it I was happy for people to tell me I looked 'tired'. I've realised that I'm happier when I'm working, and when I'm busy, creatively.

Sunday night I filled my blackboard with all my jobs and meetings and spent the week hammering through it. (Taking the odd beak to smash snowballs over my own head with Archie.) The variety of work made it so much fun, I pitched freelance design for Motorcross Helmets, and for an online Portrait company (which I won), as well as picking up 3 small logo jobs.

I've learnt that it's very competitive out there. people want a lot, for as little at they get away with, and even after they've had it, they'll keep coming back for more. I've been working from some of the freelance sites and the scope of work to budget ration is at times amazing. It's clear that when people aren't dealing face-to-face with folk, they really do take the piss, but, on the other hand the worldwide pool of designers mean, there's always someone, somewhere to do the work.

So, I was happy I wasn't sitting round with my hand down my pants, I've got some great meetings lined up this week that I'm really excited about, and a big project about to kick off. Last Friday bought with it a nice meeting in a coffee shop with my wife, and a whole raft of opportunities that I hope will come to fruition in the New Year. 

I can see how keeping things in perspective mentally, going forward could be my biggest challenge, but I hope the positive energy from the first week will keep me, keeping on. Here's to a new week, a new year and a new way of working...

Get in touch ben@citizenstudios.co.uk

Visit www.citizenstudios.co.uk

Or call 07764 898 010

Citizen is ready to go.

What more does a young business man need? A laptop, a desk and now some business cards.

Citizen is all ready for launch, December 2010, 9am I'll be at my desk looking at my business cards.

Who want's a meeting?

www.citizenstudios.co.uk

Nice little mention.

It's was nice to get a mention on Mudkiss for The 66 artwork I produced earlier in the year, here's what The 66 said about Citizen:

A very talented guy called Benjamin Brown created the artwork.  He’s worked with a number of high profile names and acts for their artwork over the years, so we were delighted to secure his services – it felt like a missing link.  When I gave him the brief for the logo via the label, he told Mark ‘that is the most insane fucking brief I’ve ever had in my life, I like it’ it’s rife with meanings and symbology that I can’t, and possibly never will go into! But it means something to each of us – a hint? The Fly is actually a rare ‘Black Bee’. With the EP cover, Ben simply took all his talent and came up with something that was exactly right and was visioned – and then some! All the credit goes to Mr Brown for that one.

You can read the full article about here at http://www.mudkiss.com/the66interview.htm


Find out more about my band artwork and the kind of services I offer by visiting www.citizenstudios.co.uk